Beyond the Festival

Learning & Participation

Explore the workshops, masterclasses and keynote sessions: NOIS//E is not only a space for artists and authors presenting their work. The festival also offers different ways to participate through workshops, masterclasses, keynote talks and shared learning experiences. Whether you are an artist, student, researcher, performer, technician, curator or simply interested in sound, media and contemporary practices, you can take part by developing new skills, engaging with invited guests, and exploring new approaches to creation and collaboration

What Sets Us Apart

Sharing knowledge, supporting creativity and building meaningful connections are at the core of NOIS//E. The workshops, masterclasses and keynote sessions we present are led by artists, researchers and professionals whose work we value and whose vision we believe can open new perspectives. Through these activities, we aim to promote accessible cultural exchange, sustainable creativity and dialogue between artists, participants and communities. NOIS//E is conceived not only as a festival, but as a space where people can meet, learn, collaborate and imagine new forms of artistic practice together.

Keynote speaker

Niki Lada

Niki Lada is a Greek Falcon soprano and performer widely recognized for her magnetic stage presence and vocal excellence. Her artistic practice spans from the nineteenth-century operatic repertoire to contemporary music, blending refined technical control with compelling dramatic versatility.

After initial training in Greece across theatre, classical singing, and English literature, she relocated to Italy to pursue advanced specializations. There, she earned her degree in Classical Singing at the Conservatory of Perugia, specialized in twentieth- and twenty-first-century music at the Conservatory of Ravenna, and further honed her skills in contemporary repertoire at the International Divertimento Ensemble Academy in Milan.

A dedicated champion of new music, she has premiered and performed numerous works written specifically for her voice. Her career features collaborations with prominent composers such as Nicolas Tzortzis, Nikos Galenianos, Vito Palumbo, Franck Bedrossian, Rosalba Quindici, Marco Momi, and Zesses Segglias. She has performed with leading contemporary ensembles—including Divertimento Ensemble, Suono Giallo Ensemble, Opificio Sonoro, Tettix, Ergon Ensemble, and Icarus VS Muzak—appearing at major festivals and cultural institutions throughout Italy and Greece like the CYFEST 17 International Media Art Festival, the Taras Festival, the Festival dei Due Mondi in Spoleto, the Teatro Alighieri in Ravenna, the Fabbrica del Vapore and Teatro Litta in Milan, the DAMSLab in Bologna, the Imola International Music Festival, Rondò in Monferrato, the Tempo Reale Festival (Unlocked Sound), Il Suono Contemporary Music Week.

Alongside her performing career, she is actively involved in promoting contemporary vocal literature through educational projects and mentorship. She has coached young composers at the Greek National Opera and co-developed Woven Voices alongside Zesses Segglias and the Greek Composers Union, a project specifically dedicated to Morton Feldman’s vocal techniques. Driven by a passion for multidisciplinary experimentation, improvisation, and collaborative creation, she co-founded the [tis ixu's] ensemble. She combines her artistic career with teaching positions at Italian music conservatories and is currently based in Perugia, Italy.

Keynote speaker - Guest artist

Gema FB Martín

Gema is a clinical psychologist, social scientist and media artist currently based in Utrecht, The Netherlands, where she works as a professor and researcher.

Her practice focuses on how technology shapes the way we perceive reality and on the consequences of this interaction between science and fiction. 

More in detail,  she studies and designs models of artificial emotions, on the Human-Computer-Interaction field. 

Gema did her Phd thesis in the study of collective creativity through musical virtual environments, specifically in the Avatar Orchestra Metaverse, orchestra to which she belongs. 

Her work blends art, science, and tech, with a focus on sound projects.

Keynote speaker

Cesare Saldicco

Cesare Saldicco is a composer, multimedia artist and filmmaker based in Milan.
Research interests include the use of emergent dynamical and fractal systems in generative works and nonstandard synthesis, glitch/noise aesthetics and new forms of interaction and self-organized presentation.

He has had commissions, awards and grants from the most significant international institutions such as Accademia Nazionale of Santa Cecilia in Rome, Acanthes, Centro Tempo Reale, CECh – Comunidad Electroacùstica de Chile, Bourges International Festival of Electroacoustic Music and Sonic Art, CEMAT Federation, Musica Viva Portugal, EXPO2015, EmuFest, MUSLab, Mixtur Festival, AVAF – Athens Video Art Festival, Destellos prize and La Biennale di Venezia.

His audiovisual works “I Camminatori”, “Shadow Puppet Sketch” and “Autumn of the Nations” won and have been officially selected in many important film festivals such as Phoenix Film Festival in Melbourne, Los Angeles Film Festival and Toronto Film Week. 

His music is edited and published by ArsPublica, Philology, Da Vinci Publishing, Sconfinarte,  RMN Classical and Stradivarius and has been performed in over 30 countries worldwide.

He is full professor of electroacoustic music composition at the Conservatorio Statale di Musica “Giuseppe Verdi” of Milan and curator of the MA/IN Festival.

Workshop

Simone Pappalardo

He graduated in Electronic music at Conservatorio Santa Cecilia in Rome. Since many years, he has created electronic compositions and interactive sound installations. He currently teaches Electroacoustic music composition at Conservatorio di L’Aquila and Computer music at Conservatorio
di Latina.

Workshop

The workshop focuses on the use of electromagnetism to create sounds, musical instruments and interactive controllers. During the workshop some instruments based on cheap electronics will be designed and manufactured, mostly based on electromagnetism and electromagnetic feedback, by recycling and scavenging electromagnetic components and parts from everyday objects, no longer functional household appliances, radios etc. Electromagnetic feedback can create complex and unconventional forms of sound synthesis, which can be integrated into interactive systems and/or used in the composition process. The workshop will therefore have as its natural conclusion a collective performance entitled “Fields”. In the performance, a small orchestra based on DIY electronic instruments will be coordinated by means of a “conduction”, i.e. an improvisation driven by a set of signs that to be introduced in the previous days.

Keynote speaker

Leonardo Cicala

Electroacoustic composer, acousmatic interpreter and live performer. He studied Band Instrumentation at the “Tito Schipa” Conservatory of Music in Lecce, graduated with honours in Electronic Music from the same institution, and also holds a degree in Biology from the University of Bari.

He specialised in electroacoustic composition in Paris with Denis Dufour and attended courses in acousmatic interpretation with Jonathan Prager. He has performed more than one hundred works from the classical and contemporary electroacoustic repertoire on the acousmonium.

In 2015, he published the Manuale di interpretazione acusmatica with Edizione Musicale Salatino, together with a related series of video tutorials. His acousmatic electroacoustic works, pieces for instrument and electronics, and soundtracks for short films have been released by Italian and international labels.

He founded Acusma Teatro del Suono in Bari, an association that supports experimental sound arts through concerts, teaching, educational activities and music production.

He won first prize in the Bangor Dylan Thomas Prize for electroacoustic composition in the United Kingdom and has been a finalist in several international composition competitions. His works have been performed at festivals in Italy, France, Belgium, Japan, the United Kingdom, Germany, Argentina, Chile, Cyprus, Northern Ireland and the United States.

Guest artist

Feliciano Chiriaco

Feliciano Chiriaco (Foggia, 1994) is an electroacoustic composer, sound engineer, and multimedia artist. He

studied Electroacoustic Composition at the Conservatorio "U. Giordano" in Foggia under N. Monopoli, R. Zanata,

and D. De Simone, and teaches Electroacoustic and Multimedia Composition at the Conservatorio "A. Boito" in

Parma.

His practice and research centre on the relationship between electroacoustic sound and the moving image, both

in real time and on fixed support. Working across fixed-media acousmatic composition, live electronics, live

visuals, sound installation, and audiovisual art, he treats sound and image as a single expressive gesture, shaped

by a shared logic of transformation and fragility.

His output moves fluidly between electroacoustic experimentation and electronic music, ranging from purely

electronic records to releases for instrument and electronics.

His work has been presented at international festivals and events. He is founder and artistic director of MID SIDE

Aps and directed the REF – Resilience Festival (Foggia) across four editions.

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